This unseasonably cold and wet Christmas morning, Oda gifts us with yet another heartbreaker of a flashback chapter to close out the year, but also a promise of a return to the present, and maybe some clues about what will happen when we get there. It’s a more relaxed easing into the present than I’d expected – I’ve been predicting for weeks there’d be one last secret tragedy as a stinger to close things out, and maybe the self-destruct switch would qualify, but maybe I should just be happy that Kuma isn’t being made to suffer more.

We pick up where the last chapter left off with Bonney on her adventure. I have to say, this is the most I’ve liked her character up to this point. She’s never been unlikable, but the spirit of getting out there and adventuring and seeing the world while hunting for her lost dad really comes through now that we have the full story. The childlike quality of her ideas of piracy and ways of compromising them echoes Luffy’s own energy. She feels like the main character of her own story here, one with enough substance that it’d be enjoyable even removed from the wider context of One Piece. The vibe of her crew is infectious, and I’m happy to see them living their best lives out in the world. Uh, hope those guys are alright after the encounters with Blackbeard and Sakazuki before the timeskip…

I’m looking forward to paying more attention to Bonney with also info on hand on my next reread.

There was a theory I read a few chapters ago that suggested Bonney’s bounty shot up to Supernova levels because of the need to get her back to control Kuma. This chapter instead suggests a misconception that her crew targets children and the elderly because of her power. Which is funny, but far less interesting. I think I would have liked this more if we’d learned is much sooner. Like in her original introduction she’s talked up as a ruthless attacker of the vulnerable, and it leads toward the first reveal of her Devil Fruit and the joke lands that way. Maybe an idea for The One Piece, right? That’s just going to be my go to for anything that might have worked better with earlier setup now. It’s fine though. We can even still assume that control of Kuma remained a factor for the World Government behind the scenes while also satisfying all the bad PR she has for leaving injured children and old people in her wake.

The bits with Luffy, Dragon, Smoker, Ace and Jinbei are partly fanservice, but they do also serve to keep the timeline in check. They’re synchronising moments. The translation of Sabo’s line in the scans indicated that Dragon was going to Loguetown alone, which would have killed the theory that Sabo had been spotted in the crowd there (pictured below), but the official release makes it ambiguous enough that Sabo might have gone. To be honest I was never big on that theory, even if it would make things more interconnected and foreshadowed. I figure seeing Luffy that close, particularly his apparent execution, would have triggered Sabo’s memories returning.

I’m a little disappointed that the return to the Thriller Bark doesn’t give us anything new about Kuma’s actual intentions should Luffy’s allies have failed what now know to obviously have been a test. Seriously, was the plan to zip him off to Dragon, or just let him go and tell him he needs to find better friends, or given the previous scene with Vegapunk, would it just said to Kuma that Luffy didn’t really have the Nika qualities he’d thought.

But that brings me to something I do like about the montage of Kuma learning about Luffy’s life in the chapter. The rubber power is acknowledged, but only as a footnote. Even having seen a power that matches the myth, Nika can only be assumed to be a myth. Luffy’s actions – declaring war on the World Government, earning the loyalty of the Thriller Bark victims, assaulting the unjust rulers of the world to save a single enslaved friend – are what make him stand out to Kuma. And while I’m sure we’ll see something specific to Luffy, such as the D, the voice of all things, or yes, the fruit, become important to the plot eventually, but it’s good that Oda is laying a foundation now that Luffy acts like Nika just by being himself, regardless of whatever other ways he’s been made into the legendary figure by the narrative.

The next scene gives us two possible paths for things playing out in the present. The first is Kuma’s self-destruct mechanism. Given that I’ve already put money down on Kuma’s death, my immediate thought about this development is that it will be used to fight Saturn in a tragic heroic sacrifice. How ironic for Saturn to be destroyed by the mechanism he insisted Vegapunk install.

(But why wasn’t it activated sooner, like when Kuma was rescued by the Revolutionaries, to keep them from reverse engineering his tech, or when he was rampaging in Marie Geoise? You have to assume there’s a limited number of remotes for the thing, since the Celestial Dragons who’ve been using him can’t be trusted with their impulses, and/or a limited range on the activation symbol.)

But the other curious thing is Vegapunk suggsting a personality switch. Which is odd, considering how impossible a reversion was said to be in previous chapters. And if Saturn really could detect it so reliably and keep it from being installed, why mention it in the first place? This feels like Oda giving himself an out – a way to save Kuma at the last moment just by saying ‘oh, Vegapunk found a way to conceal it after all.’ Which would be lame. The only way I’ll accept this thing’s use in the present is in tandem with the self-destruct so Kuma can go out as himself, and maybe exchange some words with Saturn on the way out.

And it’s especially weird when you put it next to the revelation that viewing Kuma’s extracted memories will consume them, taking off the board popular theories that Kuma would be restored by passing the bubble on to him. In one chapter, Kuma is twice doomed, once saved. Anyone’s guess which way Oda will take it in the present.

The final sequence is the cherry on top of a fantastic One Piece flashback, one that will certainly be remembered as one of Oda’s best. The life affirming message rings true to the broader themes of the series, bringing to mind scenes like Tom and Ace’s deaths. Even the lab assistants are moved (oof, didn’t Saturn order these guys’ escape ship sunk? That’s rougher knowing they were all on team Kuma all along), as the montage of Kuma’s life and loved ones proves Vegapunk correct in calling Kuma a hero. And even in his final moments Kuma thinks first of his daughter. Beautiful stuff.

This is also very strongly framed like a death scene. It’s not hard evidence, but I’m taking it as half a point toward Kuma’s mind being unrecoverable and/or his destruction assured in the present.

And the flashback really does seem to be over. Never in the series’ past have we cut from black panel gutters at the end of one chapter to the normal white ones in the first page of the next one. There’s always a transitional page within the chapter, be it at the start or at the end. (At least for the full, multi-chapter flashbacks, I think one of the small, segmented Zou ones went straight from black to white over a chapter break.) I’m not sure where the fade to grey on the last page here leaves us. It’s not quite the present, but with only a day left to cover, I can’t imagine there being anything else worth showing. Maybe Bonney’s view of the offscreen battle with York? A shorthand version only, though.

Either way, it’s been a hell of a year for One Piece, and with Egghead’s momentum going into its climax, I think the next one could be even better.