Hooray, it’s really happening! This is very much a build-up/anticipation chapter most of the way through, but Oda makes a smart choice to drop the first bomb at the end instead of leaving us waiting, so it won’t feel like a total copout even if the broadcast is shut down before it’s complete. And now that the ball’s rolling, the momentum for post-Golden Week is going to be unstoppable.

We start with a gorgeous colour spread full of fun details, perfectly synced to the title of the chapter. I love having Robin as a chessmaster, Jinbe as a rook recalls his time in Big Mom’s crew (remember her using that as a rank?) and the designs of the Chopper pawns are all adorable. Weirdly, they’re numbered up to 16 (despite there only being seven in the image), which is the total number of pawns on a chessboard, but across both sides. Are there some enemy pawns on the Strawhats’ side of the board already? The process video for this one is a treat too. I love that it’s not just building up from rough sketches, they show the moment Oda pauses, goes to a new page to just line up the pieces and develop who is going to be what, then even maps out a chessboard and plans out the moves so that no one’s in an impossible position for the finished artwork. I love that kind of attention to detail for things absolutely no one would have thought to check otherwise.

“Well, it’s been such a short time…” Vegapunk you fricking tease, no it has not. But hey, if the Vegacoffee really stays warm for two months maybe there’s something to it.

I expected a brain in a jar for Punk Records, but I was picturing a Mother Brain kind of situation, having it just be Vegapunk’s giant misshapen forehead is hilarious. And I love all the tubes and cables in the reveal panel. I keep looking at it and assuming the detached portion of head is the same size as it was in the flashbacks to post-Ohara earlier in the arc, then I look down to Mars and realise its true size. Can you imagine if Vegapunk still had this thing attached to his dome?

Seeing so many locations connected to the Strawhats as the broadcast builds up really makes it feel like the world is drawing a breath for the big news. Oda wants this moment to breathe, as frustrating as it can be as a weekly reader. And hey, is that a Thousand Sunny beast in the Baldimore segment? Franky was busy while he was there.

And man, speaking of the scale issue with Vegapunk’s brain, I’m also taken aback by Nusjuro towering over Franky’s group. I know the reveal spread for the Elders’ yokai forms showed them being enormous, but in my mind, Nusjuro’s centaur form somehow ended up proportioned to the human half, not the horse half. The fact that until now he was mostly shown next to the towering Pacifistas definitely didn’t help matters. Sanji’s blow to his jaw is an extremely cool moment somewhat undercut by Sanji’s fixation on Bonney. He doesn’t know. I just have to tell myself he doesn’t know. But it’s still offputting. The depiction of the transformation back to horse mode is unique, with the human parts seeming to burn away, lingering in the background as the hose head snaps at Sanji. His transformation to the centaur mode was depicted as a much more fluid morphing. He also leaves trails of flames as he goes back to human in Oimo and Kashii’s grip a page later.

I’m still not a huge fan of these distorted futures. They really stretch the limits of where it feels like the fruit’s rules should be. The callback to Luffy’s descent through the clouds during the Kaido fight is fun though, I guess.

The true highlight this week is Saturn’s attack on the crew’s weakling squad. We get the ‘bringing things full circle’ reveal that he was the one who spoke to Clover and ordered his death, followed by a truly heart-warming moment of the whole squad forming up around Robin. As someone whose favourite One Piece moment is probably “I want to live” I love these moments where either the crew stands up for her or she affirms her faith in them. And it’s a great page besides, with a ton of moments compressed into a single panel, the flurry of attacks and counterattacks developing as your eye moves over the page.

Oda’s building up that we’re still going to be given a solution to the transponder snail dilemma through Mars and York’s continued search. This probably means that we won’t hear the full backstory to the reveal on the next page. I’ll maintain that even with a decoy in place, I don’t trust Vegapunk to have made his deception *too* extreme. The man has been characterised through this whole arc as naive and perfectionist. He does not have the social skills for a chessmaster manipulation of career politicians and their whole military, and he’d go all in on his first idea come to fruition rather than having numerous redundancies and backups. It would be out of character for him to suddenly be able to bamboozle the whole world, so I do think they’ll find the right snail on the island eventually.

And almost to prove this point, Vegapunk refuses to call the World Government and its leaders outright evil, thinking that because he can’t understand their final intent there is no call to be made about their actions. That is a *lot* of benefit of the doubt in my opinion. While I don’t disagree that extreme circumstances can justify extreme actions, I’ve yet to see the circumstances that justify the World Government’s *multiple genocides*. Vegapunk believes that whatever other mystery he hasn’t solved yet, it must make the cruelty of these people slot into place and finally make sense. It’s a nice thought from a very understanding heart, and it’s exactly the kind of thinking that’s made it so easy for them to fool him time and time again.

And then the bomb drops. “The world as we know it will to sink into the sea!!” A fitting apocalypse for an ocean-covered world, and just the kind of lategame reveal I’d expect from Oda. Just at a glance, it makes a lot of worldbuilding pull together, from the desirability of the Redline to the strange sinking issues of Long Ring Long Land and Water Seven, the impact of the Mother Flame test on the level of the ocean, and even possibly the height of Wano’s walls and the choice to build Zou on Zunesha’s back. We know there’s a lot that Oda can change on the fly, but I’m ready to fully believe this was one of those things that was planned from the start.

Interesting too is the panel of merfolk at the very end of the chapter. They don’t appear to be listening to the broadcast or otherwise connected to the scene at all, but of course they have a symbolic relevance to a flooded world, especially if it turns out a cleansing flood has come and gone already in the past. And let’s not forget the plainly significant to this scenario Noah and Poseidon back at Fishman Island.

So we’ve got one big reveal that sets the course for the remainder of the series already. Anything else Vegapunk manages to get out before being shut down is just gravy. Plus we’ve got a lot of strawhats in rough situations with some escaping to do. The Egghead climax is so far proving to be worth the wait.