Captain M Entertainment

Oh damn, flashback’s on! And sooner than I expected. Let’s take a minute to think about why it’s been placed like it is. Oda likes to use flashbacks to build into a moment of catharsis or emotional payoff, and usually that means setting them up at the darkest hour. Right when Bonney’s about to be shot. Right after seeing the samurai fleet isn’t coming. Etc. Etc. This means we can go from the darkness of the flashback to the high of these characters getting rescued. While things are looking dire for Elbaph up above, I would expect that kind of flashback to be used right as the blade is about to fall on Jarul or the first of the child hostages, but that’s not what we’re doing.

Some flashbacks precede the tides suddenly turning against the heroes, like the moment before the assassination plan fails on Whole Cake Island, or shortly in advance of Law’s one on one clash with Doflamingo going south on Dressrosa. It means going from one downer scene to another before giving the mood a chance to rally. But that’s not the one for this arc either.

The last thing a flashback tends to build to is a character’s big decision or realisation, such as Jinbei request human help to save Fishman Island, Luffy remembering what he still has after Marineford or Robin choosing to live at Ennies Lobby. With the choice to free Loki in Hajrudin’s hands, I think that’s where the emotional heart of this flashback is going to be. But how well will this work? Hajrudin has an understandable internal debate going over whether to change what he believes about the man who killed his father and acts as his rival to the throne, but despite him having been around since Dressrosa, is anyone truly that invested in Hajrudin’s emotional stakes? I don’t dislike him, but I don’t think he sticks out that much as a character either. Loki is a lot more interesting, and the release of being exonerated and freed would be clearly meaningful to him, but he’s not a character we’ve known for very long to build a relationship with. It’s going to be the job of the flashback to build these two half-brothers up enough for its climax and the present-day decision that follows it to stick the landing.

Buuut we don’t go straight into the flashback. There’s some present day stuff to go through first. There’s the disappointing revelation that the answer to the immortality problem is just more Conqueror’s Haki. Boooo. I can only hope there’s at least going to be something special about how it’s used to make the trick work. Because if it’s just any kind of Conqueror’s coating, it wouldn’t have made sense for Luffy’s attacks to not work at Egghead unless he was forgetting to use his newest and strongest skill against those seemingly-unstoppable monsters just so we could have this reveal an arc later.

And if it’s so hard to pick up that Scopper can’t do it reliably after just going a bit out of practice and Luffy didn’t get the knack of it out of sheer desperation, how come Loki was doing it intuitively without even knowing the name? It just feels messy coming up like this.

I did enjoy Sanji being absolutely snubbed and Zoro getting told off as it gets discussed though. The Zoro one is particularly interesting when we think back to him in Punk Hazard having a go at Luffy for not taking the New World seriously enough. I wonder what steps he’ll take to feel like he’s catching back up? Maybe it will put in perspective something that happened at Ryuma’s grave for him to remember…

I don’t believe for a minute Loki becoming a Strawhat, but it’s interesting that making him a subordinate is thrown out as a solution to his wildness. How believable do we think that really is? The argument that Loki is too large to ride on the Sunny is obvious and insurmountable. I’ve seen some comments from people saying the presence of Adam Tree wood on Elbaph could be used to expand the Sunny, and to that I say, did you guys freaking read the series? The best shipwrights in the world walked us through this. The upper limits of a ship’s size are dictated by it’s keel, which has to be a single piece. Since everything else builds on the ribs which connect to the keel, you can’t replace the keel without rebuilding the ship from the ground up. The Going Merry didn’t die of a broken keel just for these engineering problems to disappear on the Sunny. It would fully break the rules and I won’t entertain it.

After this, the flashback starts properly. Within a few pages we’re seeing surprises. Did Loki acquire Ragnir after this incident, or did something happen to change the hammer’s appearance between now and the present? Loki reads abrasively in this first scene, embodying everything I was worried the themes of the arc might be when it first contrasted the children of peace with the warriors of old.

And the big shocker, Harald being attacked by his own guards. Though most are horned, everyone here lacks the wings and glowing eyes of Imu’s flipped giants, and even if they were, wouldn’t it make the most sense to flip the king who’d already been collaborating with the Government? So already things aren’t playing up the way it seemed like they would. I’m more curious about the truth, and how Loki came to be blamed for it, than ever.

But that was only a teaser. From there we get Scopper and Shanks, and what’s that on Shanks’s arm? It looks very similar to the mark on Sommers and Killingham’s armbands, minus a few lines. But it’s far less intricate than any of the marks or tattoos seen on Sommers’ arm underneath. But I think it’s a point in favour of a connection that they’re all marked on the upper parts of their right arms. Shamrock and Gunko don’t show these parts of their bodies (Gunko has a bandage or arrow wrapped around where then band should be, Shamrock keeps his arm under his cloak), but for Gunko at least we can be fairly certain they didn’t mark her legs. We knew Shanks visited Marie Geoise after sailing with Roger, but integrating enough to be touched by the Holy Knights’ system is a shock. For the differing levels of detail in the marks, I wonder if it’s some kind of ranking or scaling system. Like, the first stage just lets you travel through the abyss, the next one lets you borrow Imu’s immortality, and the ultimate form is a transformation like the Elders’, for example. Whatever the case, this lost marking puts Shanks’s sacrifice for Luffy in a new light. “Only an arm,” he said to reassure the boy after. You liar!

I’m unsure of what to make of this “child of fate” line. It could be anything from a poetic way of saying it was good luck – a twist of fate – that resulted in Shanks landing in that treasure chest and ending up on Roger’s ship unharmed, or it could be that Roger had been grooming Shanks for the Nika role and to claim the One Piece when the time was right. The Red-haired Pirates did seem to be searching fairly intently for something when they stayed at Windmill village, making so many expeditions using that one port as a base. How would a prospective chosen one feel seeing his Devil Fruit choose a child instead? Like a weight was lifted (see how he laments not being able to pirate freely with his friend), or that a whole new one had been placed?

And truly unexpected is that we enter a deeper flashback with the apparent intent of showing Harald’s life story. Given what we see in these first two pages, it’s going to be a long and fascinating journey to make him someone would forge a land of peace and cooperate with the World Government.

To feel like the whole arc has been building to this flashback sequence and Loki’s crime, and then for it to start with surprises despite all that time feeling like we were getting clues to put together makes me very excited to see what Oda’s cooking up for the next couple of months.

Alright, slightly softer week following two big ones. That’s fair. With maybe three or four chapters to go in volume 113, it’s worth taking the time to get everyone aligned and where they need to be for the climax.

Yamato’s cover story lingers, but at least it means we get a Kawamatsu cameo. Given Yamato’s usual tendency toward the masculine, I’m surprised Oda didn’t have them shock everyone by competing in more traditional attire. Maybe that would have been low-hanging fruit even for him.

Oh hey, it’s Kashii! As important as he and Oimo were to the journey to get here, they’ve really been overshadowed by Dorry and Broggy for the crew’s welcome. I’d almost forgotten they were around! Since Kashii at least manages to escape being Reversii’d, maybe they’ll get a time to shine in the fights with the turned giants. There’s a few other interesting things in this scene, like Brogy’s dialogue. He’s not just going for Jarul because he’s been ordered to, he’s found an actual justification that almost makes sense for a lifelong warrior to have. Does Imu’s power bring out suppressed feelings, or does it invent things like this for the victim?

I’m surprised to see the chain capturing continue. I thought it would be a one-off joke last week, but Oda is doubling down. Are we going to see a power that runs on board game rules as a counterpart to Luffy’s comic book rules? I’m not sure how I’d feel about that.

An enjoyable development here is the feedback loop of Imu’s arrival into the kids and the Sleeptids. The haki knocks them out with the last thing they remember being the demonic villain, and their bad dreams about it cause devils to appear. It all goes to increase the feeling that these guys are a threat that only escalates the longer they’re in play. Like most abilities, it’s likely the way around this will be to take out the user. But how can you do that when he’s immortal?

And speaking of Killingham, I don’t think I could possibly have guessed what his human form looks like. It’s really changed my impression of the character. Early Killingham seemed pretty affable as villains went. Doing bad things, obviously, but in kind of a goofball way, being caught by surprise by the summoning, always nodding off or having those half-lidded, sleepy eyes, even keeping the peace between Sommers and Gunko when they discussed music. I’d kinda wanted to like him. But this new Killingham looks like an edgelord and is coming at his cruel work with much more enthusiasm. I wonder it’s a case of the devil fruit influencing the user, the chill qilin sometimes overcoming everyday Killingham. Also, while we’re reassessing this guy, I have to admit, I thought the breathing mask on the front of his bubble was a bulbous nose on the dragon head. Looking back over old chapters, it’s really obvious it’s not, but that’s how it made it into my mind.

Absolutely love that we see the mother who clearly inspired the nightmare mum in the crowd watching the kids. And of course she would withstand the haki blast too. I can’t wait to see what she ends up doing here, especially if it’s fighting her kid’s Sleeptid version of her.

Also, it looks like there’s a Zunesha among the Sleeptids right at the end of this sequence. Knowing that Zunesha lived through the Void Century and knew Joyboy and was given a sentence to walk endlessly for an unknown crime, I wonder if Zunesha features in any ancient texts or drawings that Elbaph might be protecting for a local to learn from.

I could not be more ready for the Harald flashback with Imu’s last line. Imu speaks of Harald like an ally that made a single mistake, but treats Harald’s most famous works, the school and the library, as two of the country’s biggest issues. That’s not a single-day lapse in judgement. Was Harald trying to pull a fast one on Imu before he got turned?

The rest of the chapter jumps back in time to show Luffy’s group getting cued into Imu’s arrival. Oda doesn’t typically like going over the same stretch of time twice, he usually cuts to a new group in the present, in a way that infers they’ve been doing stuff offscreen while the camera was pointed elsewhere. That’s why even though the walk-back is only a couple of minutes, the whole sequence is treated like a flashback with grey panel gutters. The full vertical panel emphasising how far Chopper and Scopper (hey, that rhymes!) fell was a great choice as well. It’s easy to diminish Elbaph’s scale in your mind, but the place truly does stretch on forever.

I’m not sure what to make of Luffy being not sure how he knows Chopper fell. Are we building to some new application of Observation Haki, or is it going to be something more like a Voice of All things angle? Then we have Shaggy’s farewell to Loki. Everything about the framing here seems to support the idea that it’s Jarul. I wonder if him going into battle then falling, probably just as Loki arrives to see it, will be what triggers the inevitable flashback. Aaaaand I really enjoyed Scopper insisting he was the second strongest even in his injured state. Which leads into a hype-building final page as we get ready for the real fight in the next chapter.

I said I couldn’t wait, but now that I have this chapter, there’s an oddly bittersweet about something as endgame as a prospective final boss’s powers being revealed. Not just because it means the ending is creeping closer, but because how risky this kind of escalation ends up being. There’s an obvious storytelling need to make the final (or final-ish) guy stronger and more unique than everything before, to give them an extra surprise skill that goes outside and beyond the normal system. Make it like they’re cheating so it feels extra satisfying to beat them. A lot of stories mess it up. It’s a delicate thing to change the rules so late in the game. So here, One Piece navigates a treacherous footing as Oda makes the decisions that will either cement him as the one that stuck the landing, or will have us all reminding ourselves that it’s about the journey not the destination.

Speaking of endings, the Yamato cover story has to be close. But there’s one more region to visit from the original travel plan. Is Oda building up to a stinger, or will it just be an epilogue?

The first spread here is rough around the edges in a whole bunch of ways. First is the group of giants that run in. Are they adults from the village? They have to be, the pirate group doesn’t show up until a couple of pages later, and when they do they come out of the trees at the back of the line instead of from the front. But I don’t remember a party setting out from the village in any previous chapter. It’s not hard to believe it happened, it’s just a little odd not to have gotten one panel setting it up. (I’m open to having missed it, those early chapters of the kidnapping came out in a very busy time of my life; I didn’t absorb them as deeply as I normally try to.)

Second, the choice not to draw the thorns surrounding Collun as the first giant approaches him makes that panel hard to follow. Even if they are meant to be fully invisible, the translucent version used in previous chapters makes for a much smoother read. Particularly if you’re an early scanlation reader, where they don’t fill in the sound effects to help out. And on the topic of that sound effects, the one in the bottom right seems like it should have been drawn with the traditional sound effect white stroke around it to stand out. And there’s a couple of other examples of this later in the chapter, making the effects less readable and the panels feel murky. These have to be unfinished.

And finally, there’s the sheer amount of art escaping the panel borders. The haki bolts I could have taken as an intentional effect, but Collun’s mouth up above and the rendering on the giant collapsing down below are definitely not supposed to be like that. It’s a cool window into how the series’ inking is done before a final cleanup, but it’s never nice knowing a chapter came so down to the wire that it missed that last polish. At least it’s an easy fix for the volume release.

Going back to the actual story, the scope of Imu’s haki blast is immense considering the size of the island. And it’s strong too, if a member of the Giant Pirates would go down to it. The party in the Underworld must have gotten at least a tingle of that. We’re so overdue for a cut back to them, but I don’t want to miss any of what’s happening up top.

I’m a big fan of the classic devil look the possessed Gunko takes on. The wings have to be Imu’s, but I wonder if the tail and pitchfork are coming from her power. Honestly makes it feel a bit on the nose in hindsight. And then she makes this arcane summoning circle just to fire a mundane canon through it. Fantastic bit, especially when it gets repeated later to draw book which then opens to provide a gun and a knife. What was the point of the book? Maybe this is just what you have to resort to when your borrowed body doesn’t come with the pockets normally provided by a pair of pants. Whatever else comes of this, I’m glad Imu isn’t just an ‘even stronger energy blast’ kind of villain. The weapons remain mundane, but they’re used creatively and augmented by soft powers like portals and mental control.

A couple more weird bits on the next page. Jinbei’s observation haki has to be running in top gear to be able to tell that Gunko transformed at all from this distance. And then there’s the discussion about where Luffy and Hadjrudin went. Seems like it’s Brook saying it, but him and Usopp were both totally snookered at the feast scene. Hard to believe either of them picked up that much about all those people sneaking off. Maybe this info should all have come from Nami. I guess there must be a whole offscreen segment where Gerd returns to the party after beating the info out of Rodo to gather up the rest of her crew plus Sanji to go chase Luffy and Zoro. It’s one of those things that’s technically possible, but it’s not good for the flow of the story that I’m going back nine chapters and inventing my own scenes to explain it.

Love to see even more of Robin being a badass at the bottom of the page. I wonder if she’ll join Chopper in puzzling out the ways to fight immortals. It’s a good role for the two analytical Strawhats.

Dorry and Brogy finally arrive and Oda takes the time to show Imu/Gunko being a physical match for them rather than completely relying on the mindwipe hack. Do we think it’s weird though, that Imu summons both a relatively normal shortsword and a shotgun that’s way too big for a human but still too small for a giant? Maybe they have limited control over exactly which weapons they can draw. Or maybe the size is designed to suit their real body. Well anyway, the shot to the arm is a much more abrupt and extreme injury than I usually expect from One Piece, even if there’s a good chance the contract lets him regenerate it.

And it’s that contract where things get really interesting. I have so many questions about how this works and what its limitations are. You would think it would take some kind of submission or true defeat to become vulnerable to a power like that, but maybe it’s just as simple as stepping on the circle. Love how rather than getting sucked in and spat out, the victim instead gets stuck halfway and the circle itself flips over before the evil version pulls themselves out by the legs. Kinda goofy but also weirdly unsettling in its own way.

The dialogue surrounding this is crazy too. Not being bound by logic or common sense under Mu’s control sure sounds a lot like what Lucci said to Vivi about the Celestial Dragons in chapter 907, that “gods are not bound by logic.” What does Lucci know? And how far do I read into this idea that demons are the “proper form for life to take,” like some kind of demonic carcinisation. Does it suggest Imu is a natural born demon/devil with a superiority complex?

The scanlations found the name “Coeurl” in the characters for the contract. Even after reading the summary for Black Destroyer I’m not quite seeing how that’s relevant. Will have to track down the full story maybe. At least the imagery in “Domi Reversi” is easy to follow.

The final spread takes the already impressive previous-chapter page of the Sleeptid invasion and escalates it. What a truly crazy way for this arc to go. Could this be why the initial enemy force was so small, leaving us all to think this wouldn’t be a 1v1 fight kind of arc, because the crew’s going to have to fight Dorry, Broggy and their crew instead? Have to surpass his “masters” could be great for Usopp’s growth at least.

There’s so much to consider about how this insane power is supposed to fit in with the One Piece we’ve known up to this point, and so much we still don’t know about it that it’s hard to do more than just ramble off possibilities. Is Imu the demon/devil-taming Forest God from the Harley text? Are they a devil that had once been tamed by that god but was freed when the Second World ended? Is this actually just a broken, Nika-style Devil Fruit, say a Human Human Model: Devil or Model: Satan? And of course all imagery of devils and hell in the series bear re-examining after seeing this. Impel Down’s uniforms, for example. (Hey remember how last week Sommers had a Crimson Hell attack, the same name as Impel Down’s first level?) Was there a world where Impel Down was a tower prison either for or run by demons before the Second World’s apocalyptic flooding let the World Government turn it into a submerged oubliette for their undesirables?

I think back to Dressrosa and Doflamingo, and how his big thing as a villain was being a puppetmaster, able to sow chaos by influencing or directly controlling the various parties he’d wronged so they clashed with each other. How he made Luffy fight Bellamy when he didn’t want to, forcing him to hurt his friends. Even just the way he preferred to rule the kingdom, be served by the people and look down from above when he obviously had the power to level the island in an afternoon when he wanted to. Given his knowledge of Marie Geoise secrets, you have to wonder if Doflamingo’s intent was to make himself into a mini-Imu all along, and the whole arc was foreshadowing and stage-setting for this ultimate battle.

And of course, we have to think about Loki and his crimes. Oh, he killed a bunch of allies and family members and acts like the situation was more complicated but doesn’t directly explain. Oh, the guys who got killed had a Holy Knight summoning circle in their palace. That feels like a few puzzle pieces fitting together from where I’m sitting. Going to be bonus tragic when Luffy inevitably shows us how to flip back captured pieces without killing them.

Because freeing them is what he has to do. We learned two arcs ago that the hero represents a god of liberation. Now that we have an evil god of dominion and conquest, what the hell else could possibly happen?

This has already turned out rambly so I don’t want to waste too much time signing off. All I will say is thank god it’s not a break week, because this is a lot to sit with.

Wow, hey, I didn’t see that coming. And in fairness, I play it fairly safe as far as theorycrafting goes. The conventions of storytelling – the structure of rising and calling arcs of action and character growth, the long and short term pacing, the way foreshadowing is doled out – all are the way they are for good reasons. A lot of fan theories these days emphasise some big, shocking clickbaitable twist hiding in plain sight, but in reality nine times out of ten the thing that will happen is what’s being built up in the standard ways.

But then there’s that tenth time, when the author swerves and subverts and escalates past where you thought the limit was. Done purposefully, and after enough time of colouring inside the lines, and you can catch even your most analytical readers off-guard.

The choice to include Lilth and Bonney in the colour spread is interesting. I wonder if this one was drawn back in Egghead when they were more prominent and left unused, or if they just got in by default because none of Elbaph’s locals would fit. Usopp and the cat seeing the bill is a fun detail, you just know Nami set the prices. I’m in two minds about Bonney’s tray though. Like yeah, it’s probably “rip-off” like what the Japanese text says, and there is exactly one confirmed instance of deliberate colour spread foreshadowing in the series’ whole run, so it’s not a safe bet. But come on, the tray even has kind of a squashed shape instead of being a perfect circle, making it feel even more like a tombstone. Maybe that final page twist has me in a mood for conspiracies, but I can’t help paying attention to it.

I’m glad we get to see a decent amount of fighting between Scopper and Sommers. It’s getting hard to tell if this arc is going have room for traditional, extended one on ones, so I was worried we wouldn’t get to see the full creative applications of his and Gunko’s powers. Pleasantly surprised that Haki isn’t being treated as the be all, end all solution to immortality here. It’s obviously effective up to a point, but not enough to put the Holy Knights fully out of the battle. Anyone else notice the Impel Down callback in one of Sommers’ attacks too?

This is also a great scene for Chopper. He doesn’t call out Brain Point by name, but being the only one present to really notice how effective Scopper is managing to be and making the pragmatic choice to follow him instead of wasting strength on the others (having seen that Robin couldn’t cut Gunko’s arrows and Saul couldn’t do anything for the thorn coils around the children) is Brain Point behaviour. And since he follows Scopper over the edge at the end, he’s going to be the one in a position to relay the secret to the others later, whether by returning alone or escorting Scops to Luffy’s group.

The school and library start to burn. That’s one timer running, but I’d be surprised if any real damage is done to the books. The school can be rebuilt if it burns down. I wonder if the answer will be as simple as Biblo deactivating his power so that the books shrink down and become easy to move, or at least consolidate in a corner away from the flames. But even without personally feeling the threat, seeing Robin and Saul’s reactions as it goes up is heartbreaking.

And speaking of heartbreaking, god damn, Ronja. What an awful thing to put on a child’s shoulders. In light of the final pages, I find Gunko’s reaction to the child’s tears interesting. She thinks Ronja should be happy to be saved, no matter what has been sacrificed in her name to make that happen, even if surviving this means a life of servitude. Is Gunko herself enduring a scenario where everything important to her was lost, leaving her with only a life in the Celestial Dragons’ grip? This is followed by another tragedy: Collun’s love for his dad foiling the rescue. Understandable coming out of a kid raised in a well-defended land of peace, but you can see the pain in Scopper’s face. I’m surprised the future sight vision of Collun’s death was so graphic. Good way to get readers in the mindset that made Scopper back down though. His injuries are pretty rough, and with the fall to go with them I might have feared for Scopper’s life in any other series. But he’s going down by the side of the best doctor he could ask for, who also happens to be able to transform into a big, fluffy cushion if he can get ahead of him in the air.

And then the final spread just punches everything into top gear. Gunko knew Brook? Pre-piracy Brook lore? His army days and knowledge of Germa and the Holy Knights? God damn, this has been a long time coming. That alone would have put me into overdrive, and then Imu drops in to say hi. Why is the Holy Land burning? How far does their power over the marked ones go, now that we’ve seen telepathic communication, body hijacking and remote termination? What is Imu actually going to do via Gunko that she wasn’t already doing? Is Imu able to bring any other powers of their own through into her body, like, say, their transformation from the Sabo’s throne room scene? Given the lightning, is this an application of Haki, or at least Imu’s Haki being used by Gunko’s body (and that being possible, could the Strawhats with CoC lend it to their crewmates for future battles)? And I legitimately cannot tell if getting possessed made Gunko’s hair grow or if it was just hidden before.

Awesome week to be following One Piece, made better by not having a break to nurse this cliffhanger through. I can’t wait to see where Oda’s going with all of this and what long-awaited Imu lore is going to be delivered through their presence.

Highs and lows this week with a great scene for Robin but the regeneration problem seeming to be solved in the least interesting way. There’s still time to right the ship on that second one, but we’ll get there when we get there.

The Holy Knights are moving around pretty quickly between chapters here, Gunko going from her position with Sommers and the captive Strawhats all the way to the kids’ location. Sommers also seems to be leaving in that direction in his first scene, but she’s outpaced him to a pretty ridiculous degree.

Ronja was the most upbeat of the kids in her intro panel in the last chapter, and she keeps her spirits high this week even has her situation deteriorates. It’s heartbreaking. Man, I thought Collun was going to be the standout kid character, followed maybe by Johanna, but Ronja’s speech, with her still-smiling breakdown at the end, have rocketed her to the front. Oda has played with the contrast between tears and a smile before, perhaps with the most commentary in Wano via the Smile fruits, but I think it’s most effective in scenes like this one where the character forces themself to put a brave face on in a situation where anyone would forgive them for despairing that are the most affecting.

And man, who’s going to say that Elbaph’s kids are too soft after this? They might not be as enthusiastic about violence as previous generations, but little Ronja is still willing to put her life fully on the line for her beliefs. I won’t here a word of slander; the bravery of Elbaph has been passed down just fine.

Robin fights Sommers, and it’s everything I want from a Robin right. She hits fast and hard with disabling blows, working like an assassin, and then, because she’s the smart one, she even has a plan of her own for the immortality that genuinely catches her opponent off-guard. Hard to imagine anyone doing better with the info they have now. Her one misstep was underestimating how hard it would be to get the others out of Gunko’s arrow wraps. I have no doubt that if even one other Strawhat got free, they’d have been able to finish the job and push Sommers to the Underworld.

Again we raise the question of Gunko’s weakness. The arrows can’t be moved by others, they aren’t burned by fire and they can’t be cut with a knife. What’s the answer going to be then?

And before we leave this scene, I really enjoyed bandage mummy Brook and Nami’s spirited commentary against Sommers and for Robin.

The chapter ends with the order being given to burn the library and the school, but I have no doubt they’ll be saved. Sommers emphasises earlier in the chapter that the World Government’s goal is to erase the giants inconvenient history and culture rather than just taking their lives, but the result will still be the end of giants as we know them. Again, this is a real world tactic of oppression and genocide. Consider the Australian Aboriginal Stolen Generations, where thousands of children were segregated fully from the elders of their culture to receive a white education and prevent the customs and beliefs of the Aboriginies from being passed down. Erase the culture and history so you can rebuild a people as whatever you want them to be, whether that’s assimilated parts of your own society gradually breeding out their racial traits, or as the mindless mercenary barbarians you have on retainer.

But the last page is where the chapter starts to lose me. Scopper cuts off Sommers’ hand, which doesn’t regenerate. Not only is there an art mistake (the cut hand changes between panels) but the implication seems to be it’s his Advanced Conqueror’s Haki that’s causing the lasting damage. Siiiiiiiiigh. Look. I’m a fantasy reader. I can forgive a lot of “chosen one” stuff as long as the stories and characters are interesting. I can read into all kinds of ambiguities about whether the outcome was inevitable or if the hero was just the right guy in the right place at the right time. I don’t think Nika retroactively undoes any of the stuff Luffy fought for before the power awakened. I don’t think his famous family has carried him on his journey. But I would say that locking the way to hurt the final bosses behind the one in a million super special power, and perhaps further behind its better version that “only a handful of the very strongest” can achieve is a step too far. Committing to that would be a misstep.

But we’re not committed to that yet. Let’s spitball some alternate possibilities while we have the chance. Option 1a: The mark: We’ve been told that part of the Holy Knights’ powers are enabled by a “mark” they all wear somewhere out of sight. Maybe the secret is to remove or target the mark. But I wouldn’t bet on that. Sommers should know where his mark is and wouldn’t be so confused about what’s happening to him in that case. We also saw Gunko getting annihilated almost down to the waist a couple of chapters ago. Most of her lower body is visibly bare, so that mark would have to be pretty intimate to not have been destroyed by the explosion.

Option 1b: Scopper is marked. Perhaps people with the mark can harm each other. The Roger Pirates could have discovered the secret behind this power on their journey and some of them may have chosen to take a measure of the power themselves as a personal sacrifice for to be able to stand up for the next generation.

Option 2: It’s Haki, but not the way we think. In early Wano, a big emphasis was placed on Luffy learning the internal destruction application of his Armament Haki. I think it’s curious that this never really comes up again. I’ve assumed for years that it’s what Luffy used to penetrate Kaido’s scales and do real damage to him, but they never talk about it directly. Instead, the technique emphasised in that battle is the off-body emission, used for the ‘fight without touching’ clashes and to push through the magma cloak at the end. So maybe internal destruction was setup for this, where with fine control your injected Haki can block the regeneration until it wears off or the enemy forces it out with their own Haki. Adding Conqueror’s coating would obviously make it more effective, but in this case it’s not a prerequisite for fighting. I think this would be the ideal middleground.

Option 3: It’s the axes. Whether seastone or something rarer and more endgamey, a special custom godkilling weapon for each Strawhat would be a neat final set of powerups. Having it be Seastone could play into the lore already setting up Wano as important for being the sole source and best workers of Seastone. It would tell us a lot about their role in the Void Century days and the future.

Those are my best guesses, but I’m curious to see what the fanbase comes up with given a week off to think. My fingers are crossed for something creative and unexpected from Oda that blows us all away next chapter though.

On my first quick readthrough, I thought this looked like a bit of a bridging chapter, but rereading and taking down notes scene by scene I found a pretty decent amount of meat on its bones. Not much new in the cover story, except in the background, is that a random samurai claiming Who’s Who’s mask as a prize or something? Maybe forcibly unmasking him? Are we going to see the guys real face in the next installment?

And the next curiosity is Saul’s familiarity with not just the Holy Knights but their apparent immortality. I would have thought that was a closely-guarded Marie Geoise secret. Although, I guess you only have to hit commodore to be able to see the Five Elders’ powers, so it’s not out of the question a vice admiral would have had clearance. And as a giant, the higher ups must have taken a special interest in Saul, so maybe he was given a chance to see the ability in action that way. Either way, this flashback with Saul providing extra reasons not to fight is exactly what I wanted last week when I was saying Robin and Chopper’s surrender felt too abrupt.

I’m surprised Gunko went out of her way to capture all four of the Strawhats from Collun’s mission. Really looked like those guys were all going into freefall, and fairly spread out from each other as well. Really gives you an idea of how much speed, precision and range she must have with her powers.

Well, it gives us a chance to see Brook and Gunko interact. I’m very curious about Book’s like that there’s ‘something about that woman.’ The scans interpreted this very directly as him recognising her from somewhere, while the official translation keeps it vague. I’d love for someone with the raws and some Japanese skill to clarify it. Leaping off from the recognition angle, did she come to one of his concerts during the timeskip? Or maybe (extreme longshot) we’re going to go into discussions about immortality over her having been around since before Brook’s death. Probably not, given that Garling has visibly aged during his Holy Knight tenure, but catching up with an unchanged immortal would be a really fun way to use Brook’s powers. I loved seeing Brook declare his loyalty to Luffy here. Funnily, Gunko clutches her chest after the first time she kicks him – is it hurting her heart to attack her favourite singer? Not that it stops her from laying into him in the following panel, so maybe I’m overthinking it. And what I’m glad to see about this scene as a whole is not a single mention of panties. So many people speculated about Gunko and Brook’s meeting and how he’d react to her pantsless state or if he’d be the origin of that fashion choice. But honestly, from discussions of the female Egghead outfits to here, I think ‘panties’ is a word the fanbase uses a little too liberally for any kind of minimalist bottomwear. Despite the visual similarities, a bikini bottom or the lower half of a leotard or one piece swimsuit aren’t the same thing and don’t carry the same connotations as actual underwear. That’s meant to be the whole thing with the Japanese panty obsession, right? Seeing something private that would be taboo to reveal publicly. Something designed as outerwear, even with the same amount of skin showing, isn’t going to give a perv like Brook the same voyeuristic thrill. Like don’t get me wrong, Gunko’s outfit is still ridiculous, and so were some of the Egghead design choices, but it feels like an exaggeration calling every frame of them ‘panty shots,’ you know? Anyway thank you Oda from not taking the low-hanging fruit, please don’t immediately prove me wrong next chapter.

Going back to the battles across the island as Sommers starts his broadcast, I love that we’re still getting more nightmare designs as the set piece plays out. A dog spider, a pumpkin-head man (who’s missing the normal shading in his first appearance), a sea serpent, a griffin and a kraken join the fray. The variety and designs are wonderful.

We get names and a little snippet of characterisation for the ten captive kids as well, which is a good start on making their rescue/escape something we as readers are invested in. Collun’s already setting himself up as a leader among them, following his expected arc. Johanna’s line seems to imply she’s an orphan or something. And that with her having black Ancient Giant horns like Loki and Harald. Could be something, could be nothing. I’ll be keeping an eye on her.

On the Great Erik, it’s curious how they talk about the ship leaking. You wouldn’t think that matters much on a svar. Maybe just a weird translation of talk about a hull breach. The wives and mothers being the thing to take the giant warriors down is hilariously unexpected. I don’t think anyone pegged that when we were laughing about one kid picking his mum as a fear and her showing up in the corner of the sleeptid reveal spread. What’s really interesting is the mums here using fire and lightning powers. We know Elbaph isn’t a friendly nation to Big Mom, but even so (or perhaps because of that) her powers have obviously become synonymous with a mother’s wrath.

Hey, we’re at the map drawing stage of the set piece already. That tends to be a big landmark on the way to the climax. And it’s just good to have confirmation of relative positions.

And in all the fun of the escalating battle, Oda has to slip in something real. Subjugation through the destruction of libraries and schools, the malleability of an uneducated populace. A time-honoured tactic of fascists and dictators everywhere. And very, very reasurring after the early chapters of the arc played up the decline of warrior ways and the school and library as the pet projects of a then evil-seeming king. I think we can say with confidence now that this won’t turn into a ‘new generations soft’ kind of narrative. And I love Robin’s intensity when she stands up to resist this. She’s had a great start to this arc and it looks like she’ll keep being one of its central Strawhats. Now we just have to find Usopp’s role…

What of Gaban though? I wouldn’t say he’s been particularly death-flagged, but this is the kind of spot the pros of the last generation take one for the team so the actual protagonists can shine.

The arc is feeling well set up as we move toward the middle chapters of volume 113. I’m looking forward to seeing Robin in action and what Collun and the other kids do now that they’re awake and aware of their situation. And there’s Luffy and Loki’s eventual arrival to wait for as well.